Looking for Austen in the 21st Century: from Pride and Prejudice to The Lizzie Bennet Diaries

Authors

  • Noelia Mª Galán Rodríguez Universidade da Coruña

Keywords:

Adaptations, austenmania, darcymania, postfeminism, media

Abstract

Jane Austen and her works have belonged to the canon since the beginnings of the 20th century, but Austen as a popular and cultural phenomenon dates back to 1995 with the release of the BBC adaptation Pride and Prejudice. This rebirth of Austen’s six novels in the form of movie adaptations, spin-offs and merchandise has led to what it is known as ‘Austenmania’. Nevertheless, not only Austen’s world is introduced into contemporary times, but contemporary times are introduced into Austen; this is obviously present in the The Lizzie Bennet Diaries DVDs (originally You Tube videos). This essay studies the last Pride and Prejudice modern-day adaptation, The Lizzie Bennet Diaries, following a ‘close viewing’ of the videos as well as a careful reading of Pride and Prejudice in order to see how Austen has been introduced in contemporary fiction.

Downloads

Download data is not yet available.

References

Allen, Katie; Stewart, Heather (2013): «Jane Austen to appear on £10 note», The Guardian, 24 Jul., Web. 20 Mar 2014.

Austen, Jane (1972) [1811]: Sense and Sensibility, London, Pan Books.

Austen, Jane (1989) [1813]: Pride and Prejudice, London, Virago Press.

Austen, Jane (1989) [1814]: Mansfield Park, London, Virago.

Austen, Jane (1996) [1815]: Emma, London, Penguin Books.

Austen, Jane (2006) [1817]: Persuasion, Cambridge, Cambridge University Press.

Austen-Leigh, James Edward (2005) [1869]: Memoir of Jane Austen, London, The Echo Library. «Best Sellers in Classic Literature and Fiction» (2015): Amazon, n. p., n. d., Web. 16 Dec.

Branch, Chris (2015): «Colin Firth: ‘I’ve never Owned’ Mr. Darcy Role», The Huffington Post, 10 Feb., Web. 6 Dec.

Bride and Prejudice (2006): Dir. Gurinder Chadha; Perf. Aishwarya Rai, Martin Henderson, Anupam Kher, Naveen Andrews, SAV [DVD].

Bridget Jones’ Diary (2001): Dir. Sharon Maguire; Perf. Renée Zellweger, Hugh Grant, Colin Firth, Universal [DVD].

Bridget Jones: The Edge of Reason (2004): Dir. Beeban Kidron; Perf. Renée Zellweger, Hugh Grant, Colin Firth, Universal [DVD].

Brownstein, Rachel M. (2012): Why Jane Austen?, New York, Columbia University Press.

Cobb, Shelley (2012): «What Would Jane Do? Postfeminist Media Uses of Austen and the Austen Reader», in Gillian Dow & Clare Hanson (eds.) Uses of Austen: Jane’s Afterlives, Basingstoke (GB), Palgrave MacMillan, pp. 208-227.

Codpiece Thwackery, William (2012): Fifty Shades of Mr. Darcy, London, Michael O’Mara. «Colin Firth on ‘Darcymania’» (2001): Liz WebDesign. Colin Firth Career Timeline, n.p., 6 May, Web. 12 Dec. 2015.

Dow, Gillian; Hanson, Clare, eds. (2012): Uses of Austen: Jane’s Afterlives, Basingstoke (GB), Palgrave MacMillan.

Fergus, Jan (2005): «Biography», in Janet Todd (ed.), Jane Austen in Context, Cambridge, Cambridge University Press.

Fielding, Helen (1996): Bridget Jones’s Diary: a Novel, London, Picador.

Grahame-Smith, Seth (2009): Pride and Prejudice and Zombies, Philadelphia, Quirk Classics.

Grange, Amanda (2007): Mr Darcy’s Diary, Naperville, Sourcebooks.

Grange, Amanda (2009): Mr Darcy, Vampyre, Naperville, Sourcebooks.

Jay Fowler, Karen (2005): The Jane Austen Book Club, London, Penguin Books.

James, E. L. (2012): Fifty Shades of Grey, Bath, Windsor.

James, Felicity (2012): «At Home with Jane: Placing Austen in Contemporary Culture», in Gillian Dow & Clare Hanson (eds.) Uses of Austen: Jane’s Afterlives, Basingstoke (GB), Palgrave MacMillan, pp. 132-153.

James, P. D. (2011): Death Comes to Pemberley, London, Faber.

Jones, Stephanie (2012): «The Ethnics of Geography: Women as Readers and Dancers in Gurinder Chadha’s, Bride and Prejudice», in Gillian Dow & Clare Hanson (eds.) Uses of Austen: Jane’s Afterlives, Basingstoke (GB), Palgrave MacMillan, pp. 175-191.

Kennedy, Deborah (2013): «Jane Austen’s Influence on Stephanie Meyer’s Twilight», in Natasha Duquette & Elizabeth Lenckos (eds.), Jane Austen and the Arts: Elegance, Propriety and Harmony, Maryland, Lehigh University Press.

Lang, Brent (2015): «‘Bridget Jones’ Baby’ Hitting Theaters in September 2016», Variety, 13 Oct.-8 Dec.

Licalzi, Pamela (2000): «A World Without End For Fans of Jane Austen», The New York Times, 13 Jan, Web. 13 Feb 2014.

Lost in Austen (2008): Dir. Dan Zeff; Perf. Jemima Rooper, Elliot Cowan, Hugh Bonneville, Alex Kingston, Gemma Arterton, Lindsay Duncan, Mammoth Screen Limited [DVD].

Mansfield Park (2003): Dir. Patricia Rozema; Perf. Frances O’Connor, Jonny Lee Miller, Alessandro Nivola, Hannah Taylor Gordon, Talya Gordon, Miramax Films [DVD].

«Most Popular Authors in Classic Literature and Fiction» (2015): Amazon, n. p., n. d., Web. 15 Dec.

Munford, Rebecca (2012): «‘The Future of Pemberley’: Emma Tennant, the ‘Classic Progression’ and Literary Trespassing», in Gillian Dow & Clare Hanson (eds.) Uses of Austen: Jane’s Afterlives, Basingstoke (GB), Palgrave MacMillan, pp. 59-76.

North, Julian (2012): «Jane Austen’s Life on Page and Screen», in Gillian Dow & Clare Hanson (eds.) Uses of Austen: Jane’s Afterlives, Basingstoke (GB), Palgrave MacMillan, pp. 92-114.

Oaks, Diana J. (2012): One Thread Pulled: the Dance with Mr. Darcy, n.p.: CreateSpace Independent Publishing Platform.

Pride and Prejudice (2009): Dir. Simon Langhton; Perf. Colin Firth, Jennifer Ehle, 2entertaint [DVD].

Smith, Anna (2013): «Why can’t women time travel?», The Guardian, 31 Jul., Web. 8 Dec. 2015.

Sense and Sensibility (1995): Dir. Ang Lee; Perf. Emma Thompson, Kate Winslet, Hugh Grant, Sony Pictures [DVD].

St Trinians (2007): Dir. Oliver Parker; Perf. Talulah Riley, Rupert Everett, Colin Firth, Pulp Video [DVD].

The Jane Austen Book Club (2007): Dir. Mark Blucas; Perf. Maria Bello, Emily Blunt, Kathy Baker, Amy Brenneman, Maggie Grace, Sonny Pictures Home Entertainment [DVD].

The Lizzie Bennet Diaries (2013): Dir. Bernie Su; Perf. Ashley Clements, Julia Cho, Laura Spencer, Agreeable Entertainment [DVD].

The Republic of Pemberley (2004): n. p., Web. 27 May 2014.

Warren, Renee (2014): «Jane Austen Moves [sic] and Television Shows», Janeausten. org., n.p., Feb, Web. 20 May 2014.

Wells, Juliette (2012): «New Approaches to Austen and the Popular Reader», in Gillian Dow & Clare Hanson (eds.) Uses of Austen: Jane’s Afterlives, Basingstoke (GB), Palgrave MacMillan, pp. 79-91.

Welsh, Katie (2013): «Pride and Prejudice at 200: the Best Jane Austen Small-screen Adaptations», The Guardian, 28 Jan, Web. 12 Dec. 2015.

Published

2015-03-26

How to Cite

Galán Rodríguez, N. M. (2015). Looking for Austen in the 21st Century: from Pride and Prejudice to The Lizzie Bennet Diaries. Huarte De San Juan. Filología Y Didáctica De La Lengua, (15), 129–148. Retrieved from http://revista-hsj-filologia.unavarra.es/article/view/3103

Issue

Section

Estudios